{"id":3273,"date":"2017-04-14T17:03:00","date_gmt":"2017-04-14T15:03:00","guid":{"rendered":"http:\/\/www.igiic.org\/?p=3273"},"modified":"2018-04-17T16:02:00","modified_gmt":"2018-04-17T14:02:00","slug":"knotted-carpets-conservation","status":"publish","type":"post","link":"https:\/\/www.igiic.org\/2023\/?p=3273","title":{"rendered":"KNOTTED CARPETS CONSERVATION"},"content":{"rendered":"<p style=\"text-align: justify;\"><span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Conferenza 16-17 novembre 2017, Frigoriferi Milanesi \"><strong>KNOTTED CARPETS CONSERVATION. Methods compared to a restoration poster<\/strong><br \/>\n<strong>Workshop May 10 to 11 2018, Open Care &#8211; Servizi per l\u2019Arte<\/strong><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"CALL FOR PAPERS deadline 30 giugno 2017 \"><strong>CALL FOR PAPERS<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Per la prima volta al mondo si organizza un incontro focalizzato esclusivamente su restauro e conservazione dei tappeti annodati, orientali ma non solo.\">For the first time ever a meeting will be held exclusively focused on restoration and conservation of carpets, oriental but not all. <\/span><span title=\"Il panorama mondiale del restauro del tappeto \u00e8 quanto mai vario e disomogeneo: dagli abilissimi \u201crestauratori\u201d di provenienza mediorientale, ai conservatori professionali dei musei;\">The global landscape of the carpet restoration is extremely diverse and heterogeneous: the skilled &#8220;restorers&#8221; from the middle east, to professional curators of museums; <\/span><span title=\"dai centri industriali per il lavaggio ai laboratori organizzati per le riparazioni.\">from industrial centers to wash in workshops organized for repairs. <\/span><span title=\"L'impiego delle tecniche normalmente utilizzate per la conservazione dei tessili non sempre incontra le esigenze dei tappeti e proprio dal dibattito tra i diversi operatori \u00e8 scaturita l'esigenza di un'occasione per l'analisi dei differenti approcci operativi cos\u00ec da arrivare a definire le\">The use of commonly used techniques for the conservation of textiles do not always meet the needs of their own carpets and the debate between different operators has resulted in the need for an opportunity to analyze the different operational approaches in order to get to define <\/span><span title=\"migliori metodiche per la conservazione di questi specialissimi manufatti.\">best methods for the preservation of these very special artifacts. <\/span><span title=\"Con questo workshop si intende costruire un\u2019occasione specialistica di confronto tra tutti gli attori coinvolti nella conservazione dei tappeti annodati, su tutti gli aspetti specifici che vanno dalle indagini preliminari alle fasi di intervento, dalla manutenzione ordinaria ai criteri di esposizione e deposito.\">With this workshop we intend to build specialized opportunity for comparison between all actors involved in the conservation of carpets, of all the specific aspects ranging from preliminary investigations to the phases of intervention, from routine maintenance to the exposure and storage criteria. <\/span><span title=\"A conclusione dei lavori \u00e8 prevista una tavola rotonda i cui esiti confluiranno in un manifesto del restauro del tappeto che definisca le principali linee guida per la conservazione.\">At the conclusion of the work is scheduled a round table which will be incorporated in a poster of the outcomes of the carpet restoration that defines the main guidelines for storage. <\/span><span title=\"Il workshop \u00e8 aperto a tutte le figure coinvolte: restauratori, conservatori, riparatori, storici, collezionisti, studiosi, operatori museali, studenti, operatori del mercato antiquario e \u201csemplici\u201d amatori. \">The workshop is open to all those involved: restorers, conservators, repairers, historians, collectors, scholars, museum professionals, students, the antique market operators and &#8220;simple&#8221; amateurs.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"IL WORKSHOP E\u0300 SUDDIVISO NELLE SEGUENTI AREE TEMATICHE: \u00a0\u00a0\u00a0\u00a0\"><strong>THE WORKSHOP is DIVIDED IN THE FOLLOWING TOPICS:<\/strong><\/span><\/p>\n<ul>\n<li style=\"text-align: justify;\"><span title=\"PER UNA TEORIA DELLA CONSERVAZIONE: STORIA DEL RESTAURO DI TAPPETI ANNODATI.\">FOR A THEORY OF CONSERVATION: HISTORY OF RESTORATION OF CARPETS KNOTTED. <\/span><span title=\"(DALLA TEORIA ALLA PRATICA \u2013 VANTAGGI E LIMITI NELL\u2019APPLICAZIONE DELLA TEORIA DEL RESTAURO A QUESTO SPECIFICO SETTORE); \u00a0\u00a0\u00a0\u00a0\">(From theory to practice &#8211; ADVANTAGES AND LIMITS IN THE APPLICATION OF THE THEORY OF RESTORATION TO THIS SPECIFIC FIELD);<\/span><\/li>\n<li style=\"text-align: justify;\"><span title=\"TIPOLOGIA DI DEGRADO E DIAGNOSTICA; \u00a0\u00a0\u00a0\u00a0\">TYPE OF DECAY AND DIAGNOSTICS;<\/span><\/li>\n<li style=\"text-align: justify;\"><span title=\"RESTAURO E DE-RESTAURO DEL TAPPETO ANNODATO (INTEGRAZIONI E CONTESTUALIZZAZIONE DEI MATERIALI); \u00a0\u00a0\u00a0\u00a0\">RESTORATION AND RESTORATION OF DE-KNOTTED CARPET (ADDITIONS AND CONTEXT OF THE MATERIALS);<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span title=\"ESPOSIZIONE E DEPOSITO: METODI ED ESPERIENZE A CONFRONTO; \u00a0\u00a0\u00a0\u00a0\">EXPOSURE AND STORAGE: METHODS AND EXPERIENCES;<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span title=\"USO E RIUSO DEL TAPPETO \">USE AND REUSE OF CARPET.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span title=\"La valutazione sara\u0300 fatta in base a: \u00a0\u00a0\u00a0\u00a0\">The evaluation will be done by:<\/span><\/p>\n<ul>\n<li style=\"text-align: justify;\"><strong><span title=\"Aderenza all\u2019area tematica scelta \u00a0\u00a0\u00a0\u00a0\">Adherence to the chosen theme<br \/>\n<\/span><\/strong><\/li>\n<li style=\"text-align: justify;\"><strong><span title=\"Aderenza all\u2019area tematica scelta \u00a0\u00a0\u00a0\u00a0\">O<\/span><span title=\"originalita\u0300 del contributo \u00a0\u00a0\u00a0\u00a0\">riginality of the contribution<br \/>\n<\/span><\/strong><\/li>\n<li style=\"text-align: justify;\"><strong><span title=\"lavoro condiviso da professionalita\u0300 diverse \u00a0\u00a0\u00a0\u00a0\">Work shared by different professionals<br \/>\n<\/span><\/strong><\/li>\n<li style=\"text-align: justify;\"><strong><span title=\"chiarezza e consequenzialita\u0300 nell\u2019esposizione \">Clarity and exposition consequentiality<\/span><\/strong><\/li>\n<\/ul>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\"><strong>PROGRAM <\/strong><br \/>\n<strong>Thursday, 10 May 2018 <\/strong><br \/>\n10.30 Registration and Greetings<br \/>\n11.00 <strong>Each color expands and settles. The collection of carpets at the Museum of Islamic Art in Berlin<\/strong><br \/>\n<em>Anna Beselin, Museum f\u00fcr Islamische Kunst Senior Textile Conservator &#8211; Berlin <\/em><br \/>\n<\/span><\/p>\n<p class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\"><strong>I SESSIONS<\/strong> <strong>Theoretical approaches<br \/>\n<\/strong><\/span><span lang=\"en\">Moderator: <em>Alberto Boralevi, architect and antique dealer &#8211; Florence <\/em><\/span><\/p>\n<p class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\">12.00-12.20 <strong>Conservative restoration experiences of knotted carpets between ethics, problems and possibilities <\/strong><br \/>\n<em>Giulia Mariti, restorer &#8211; Lucca <\/em><br \/>\n12.20-12.40 <strong>Theory and methods in the restoration of knotted carpets<\/strong><br \/>\n<em>Giusy Cusimano, restorer &#8211; Palermo<\/em><br \/>\n12.40-13.00 <strong>Methods and evaluation for a conscious restoration<\/strong><br \/>\n<em>Concita Vadal\u00e0, restorer &#8211; Florence Letizia Bartoli, restorer &#8211; Lucca <\/em><\/span><\/p>\n<p class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\">13.00-14.00 lunch break<\/span><\/p>\n<p><strong> II SESSION. Practical examples and intervention problems <\/strong><br \/>\nModerator: <em>Luca Emilio Brancati, Turin <\/em><\/p>\n<p>14.00-14.20 <strong>Cleaning, restoration and exhibition system: research of the solutions for the presentation of the Holbein carpet from the Franchetti Collection <\/strong><br \/>\n<em>Fabiana Tedesco, Filomena Gigante, Isabella Villafranca Soissons, Open Care &#8211; Milan<br \/>\n<\/em><span lang=\"en\"> 14.20-14.40 T<strong>he conservation of carpets in a museum house: challenges and solutions<br \/>\n<\/strong><em>Irene Caputo, restorer Textile by Beyer Perrone Da Zara, &#8220;Villla La Pietra&#8221;, NYU &#8211; Florence<\/em><br \/>\n14.40-15.00 <strong>Analysis, study and conservation of the Carpet of the Tigers: an international history <\/strong><br \/>\n<em>M. Elena Paola, Filomena Gigante, Isabella Villafranca Soissons, Open Care &#8211; Milan<\/em><br \/>\n15.00-15.20 <strong>The conservative recovery intervention of a knotted and &#8220;double-sided&#8221; copying fabric: solutions for consolidation and exposure<\/strong><br \/>\n<em>Michela Cardinali, Roberta Genta, Chiara Tricerri, CCR &#8211; La Venaria Reale Conservation and Restoration Center Matilde Borla, Superintendence of Archeology, Fine Arts and Landscape for the metropolitan city of Turin Valentina Turina &#8211; Museum of Egyptian<\/em> <em>Antiquities Foundation in Turin<\/em><br \/>\n15.20-15.40 <strong>History of an integrative restoration to the present day: the Chinese carpet of the Museum F\u00fcnf Kontinente in Monaco<\/strong><br \/>\n<em>M. Elena Paola, Filomena Gigante, Isabella Villafranca Soissons, Open Care &#8211; Milan <\/em><\/span><\/p>\n<p>15.40-16.00 Coffee break<\/p>\n<p>16.00-17.00 <strong>ROUND TABLE Restoration of the knotted carpet: problems of training and information on conservation issues<\/strong><br \/>\n<em>Giorgio Bonsanti, Formerly Professor of Restoration Techniques, University of Florence Roberta Genta, CCR &#8211; La Venaria Reale Conservation and Restoration Center Marta Cim\u00f2, OPD &#8211; Collaborator at the Opificio delle Pietre Dure in Florence Martina Panuccio, restorer &#8211; Florence Concita Vadal\u00e0, restorer &#8211; Florence Letizia Bartoli, restorer &#8211; Lucca<\/em><\/p>\n<p>17.00-17.30 <strong>Visit to the restoration laboratories<\/strong><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\"><strong>Friday, 11 May 2018<\/strong><br \/>\n<strong>III SESSION Conservation and Diagnostics. Comparison methodologies <\/strong><br \/>\nModerator: <em>Lorenzo Appolonia, Soprintendenza Beni Culturali &#8211; Aosta<\/em><br \/>\n10.00-10.20 <strong>A sixteenth-century Turkish textile with chintamani motifs &#8211; the concept of conservation and protection <\/strong><br \/>\n<em>Anna Olku\u015bnik-Tabisz, Magdalena Magry\u015b, Katarzyna K\u0119ku\u015b, Jolanta \u017buber, Pawe\u0142 Piechnik, Mariola Mroczek, Agnieszka Pacak, Ma\u0142gorzata Duda\u0142a-Cie\u015bla, Ma\u0142gorzata Filimowska, Piotr Fr\u0105czek, Julio of Hoyo-Melendez, Anna Klisi\u0144ska-Kopacz, Agata Mendys, Micha\u0142 Obarzanowski , Joanna Sobczyk, National Museum &#8211; Krak\u00f3w<\/em><br \/>\n10.20-10.40<strong> Diagnostics of dyes in tissues of historical interest: from the laboratory to the museum <\/strong><br \/>\n<em>Silvia Bruni and Vittoria Guglielmi, Department of Chemistry, University of Milan <\/em><br \/>\n10.40-11.00 <strong>Carpet dyes and their analysis <\/strong><br \/>\n<em>Paolo Bensi, Department of Architecture and Design, University of Genoa <\/em><br \/>\n11.00-11.30 <strong>Non-invasive diagnostics on carpets and other textiles. Resources and limits of image analysis and spectroscopies <\/strong><br \/>\n<em>Gianluca Poldi, freelance researcher and CAV, University of Bergamo <\/em><br \/>\n11.30-12.00 <strong>A bet won: the restoration of the Bardini Heritage rugs, between impudence and sustainability <\/strong><br \/>\nAlberto Boralevi, architect and antique dealer &#8211; Florence<\/span><\/p>\n<p>12.00 &#8211; 13.00 <strong>Questions debate and conclusions <\/strong><\/p>\n<p>13.00-14.00 Lunch break<\/p>\n<p class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\">14.30-15.30<strong> Visit to the Open Care restoration laboratories, with practical demonstration<\/strong><\/span><\/p>\n<p><strong>PARTICIPATION FEE<\/strong><\/p>\n<p>Full price: 60 \u20ac<br \/>\nReduced fee (associated IGIIC 2018 and student): 50 \u20ac<br \/>\nReduced fee (associated students IGIIC 2018): 40 \u20ac<\/p>\n<p>The participation fee includes both the days and the useful material for workshop<\/p>\n<p><strong>HOW TO PAY<\/strong><\/p>\n<p>The payment will be done by<strong> <a href=\"http:\/\/www.igiic.org\/setefi\/buynow.htm\" target=\"_blank\" rel=\"noopener\">online credit card.<\/a><\/strong><\/p>\n<p>Or, if you&#8217;ll prefer, by banking account:<\/p>\n<p><strong>IGIIC &#8211; Gruppo Italiano dell&#8217;IIC<\/strong><br \/>\nIstituto bancario: BANCA PROSSIMA, filiale 5000 Milano<br \/>\nCodice IBAN: IT 77 K033 5901 6001 0000 0011334<br \/>\nBic: BCITITMX<br \/>\n<strong>Dont&#8217; forget to write: Name, surname, knotted carpets<br \/>\n<\/strong><\/p>\n<h5>Write for info: <a href=\"mailto:daniela.rullo@igiic.org\" target=\"_blank\" rel=\"noopener\">daniela.rullo@igiic.org<\/a><\/h5>\n<p style=\"text-align: center;\"><a class=\"mb-button mb-style-raised mb-size-default mb-corners-default mb-text-style-default \" style=\"background-color: #bfbfbf;\" href=\"http:\/\/www.igiic.org\/?page_id=2098\">ISCRIVITI ONLINE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>KNOTTED CARPETS CONSERVATION. Methods compared to a restoration poster Workshop May 10 to 11 2018, Open Care &#8211; Servizi per l\u2019Arte CALL FOR PAPERS For the first time ever a meeting will be held exclusively focused on restoration and conservation of carpets, oriental but not all. The global landscape of the carpet restoration is extremely<br \/><a href=\"https:\/\/www.igiic.org\/2023\/?p=3273\" class=\"more\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":3236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[35],"_links":{"self":[{"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/posts\/3273"}],"collection":[{"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3273"}],"version-history":[{"count":17,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/posts\/3273\/revisions"}],"predecessor-version":[{"id":4131,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/posts\/3273\/revisions\/4131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=\/wp\/v2\/media\/3236"}],"wp:attachment":[{"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.igiic.org\/2023\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}